7-10 through 8-03


Artist Bios

Lindsey Adelman
Paul Loebach


Additional information

See Lindsey Adelman's
video for the exhibition.
Perfect Summer  Works by Lindsey Adelman and Paul Loebach
Wood Vases
Approx  6 x 6 x 10 in 
Machined Solid Maple
2009
An experiment in wood construction and CNC machining. Blocks of solid maple are milled in two separate halves and joined together with an accentuated ‘parting line’, articulating the profile of the polymorphic shapes.
Super Bowl Shelf
28 x 10 x 6 in
Poplar Wood and Fiberboard
2009
A bowl for storage and a bookshelf, combined with a smooth curve into a single form.
Shelf Space
45 x 15 x 21 in
Solid Wood
2008
The result of an experimental collaboration with an aerospace machinery manufacturer, this shelf’s fluid form pushes the limits of wood engineering and advanced machining technology.  
Speed Metal
10 x 3 x 3 in
Bronze  and Stainless Steel Alloy
2008
Using a cutting-edge metal printing process, this candlestick holder’s distorted form was made in minutes.
Chair-O Space     
25 x 20 x 28 in
Hard Maple, Wool Upholstery
2008
Inspired in equal parts by Chinese classicism and Roman antiquity, this chair replaces traditional hand craftsmanship with computer driven machinery. The chair’s form evolved from a meticulous 3-D design process.
Nothing Lost Quilts
72 x 84 in
Felted Wool
2008
Patterned after an ancient biblical proverb, positive and negative shapes are laser cut from wool felt and stitched back together. The two resulting quilts are inverse matches, made with zero waste. Designed with Jessie Henson.
Nothing Lost Quilts
72 x 84 in
Felted Wool
2008
Patterned after an ancient biblical proverb, positive and negative shapes are laser cut from wool felt and stitched back together. The two resulting quilts are inverse matches, made with zero waste. Designed with Jessie Henson.
Lindsey Adelman’s blown glass lighting reflects the detailed perfection of a jewelry maker, while embodying the structural integrity of a silversmith.  Her work blurs the line between art and design by combining elements of mass production with the uniqueness of an individual piece of art.
Paul Loebach’s furniture and design objects suggest a firm grasp of basic design principles while pushing boundaries through innovation. His unique twists on domestic products give everyday objects a new meaning, challenging the way the observer views the work.